#ONLINE MOVI PRO PRO#
It kicked ass! I cannot wait to get the MōVI Pro out into the field and start shooting.
#ONLINE MOVI PRO HOW TO#
On “Into the Badlands,” I found the sweet spot of how to move with the system in new creative ways, and in Prague, while on “The Adventurers,” I deployed the MōVI into this fast action heist film. I’ve been running with 3 to 4 MōVI ’s on each project. I told Chris Herr to get this device ready for Russell Crowe on “Fathers & Daughters.” This was the first feature film to use the MōVI exclusively and from there I haven’t looked back. Now, he is intending to make that device even greater.įrom the first time I got my hands on this device while shooting a Cheerios commercial in North Carolina, I knew this was a game changer. He saw an opportunity, created this immersive storytelling device, and shared it with the world. He pushes his team to give filmmakers the tools that they WANT and NEED. What I love is Tabb and Freefly’s commitment to excellence. The MōVI has been the choice of many filmmakers at every level for the last few years. Smooth, fast, closed loop control over pan/tilt/roll axes. Having the ability to put more stress, and more weight on larger camera bodies, and lenses, even exploring the idea of mounting a zoom lens to the MōVI i is something that I have wanted for a long time. Bundle includes MoVI Pro 3-axis handheld gimbal stabilizer, MoVI Ring Pro & MIMIC Controller. The doubling of the torque in the motors is something that excites me as well. I’d say, on average, you would wait about 15-30 seconds for the MōVI to boot up. This is something that Tabb and his team have worked tirelessly on. I’m exaggerating, but we all know that we are impatient when we are on set, and every second counts. No more, “don’t breathe around it, you might make it mad!” Or watching my MōVI team stand and pray. Turning on the MōVI takes only 2 Seconds now Gimbal Boot-Time Chris! ARE YOU READING THIS, ANAMORPHICS BABY! We will see once we get the new MōVI Pro out into the field but you can see how the possibilities are increasing with these additions. I’m always maxing out my kit by slapping on large Cinema lenses like Cooke S4 primes, but now there is a possibility to fly larger Anamorphic lenses. The nutritional quality of the products is developed by experts in many fields of research and health and development, nutrition, and beauty forming a team with the highest standards and excellent manufacturing of our products.
So keep this in mind, by being able to power EVERYTHING on the camera, you can drop the weight of a camera battery, additional adapter plates, velcro, every little ounce that you add onto the camera you can now remove. Our product line in MOVIPRO® is recognized for the innovation, high positive impact and taste. I’ll have to check with Chris Herr (my MōVI Tech/Op) to see if we can even change lenses while keeping it on!
I can keep the camera powered non-stop all day without having to turn the gimbal off to make changes, etc. Now I don’t have to worry about more time in between shots. Having a Hot-Swappable battery system that can: The new MōVI Batteries are the game changer for me. The new MōVI Battery is a Hot-Swappable System Power
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